Edinburgh 2015 – Day 2

Little late writing this one up. I’m back home now from my very short visit to the Edinburgh Fringe Festival, which was pretty good. The only real problem I had is that I turned out to be really awful at successfully attending free shows – nearly every one I went to was full when I got there. I guess in future I need to allow more time, because not only would I miss the show I’d wanted to see, but I’d also not be able to find an alternative because I’d only really given myself exactly that hour before I had to head for a paid show.

That started straight away on Saturday, when I tried to start the day with David Callaghan’s “No Momentum”. When that fell through, I decided I should work out where one of the other venues was while I had the time. My last show of the day was a long walk out of the centre, and I wasn’t entirely sure how to get there – and it’s a good thing I did a trial run, because I got lost. I eventually did find the place, then walked all the way back for a quick lunch.

My actual first show of the day, then, was Austentatious, who perform a different improvised Jane Austen novel every day. The title that came out of the hat this time was “Magic Mike at Pemberley”, and the group seemed to have a lot of fun with that.

Next up I was supposed to go see “Worst Show on the Fringe”, which is some short sets by comedians who have received one star reviews in the past. Unfortunately I got a bit lost and never made it to the venue. I headed into the nearby Free Sisters instead to see a show that was about to start, and that one turned out to be full. Not a great beginning to the day, really. I was determined not to miss the next one on the list, so for the next half hour or so I headed along the Royal Mile. Not the best idea, as it turned out, because it was packed so full you could barely move. I did however get to see a man juggling flaming torches while riding a unicycle balanced on a rope, so that was something.

The next free show on my schedule was Tamar Broadbent’s “Brave New Girl”, and I made sure I set off a lot earlier for this one. Turns out that was a good idea, because the venue was not making things easy to find. I had no idea which room it was in in Cowgatehead, there were no directions, and when I finally found the schedule which showed the room I was looking for, it was posted on the back of a closed door.

I saw Tamar Broadbent perform last year, and enjoyed it a lot, so I was glad to get to catch her again. She’s a really funny musical comedian, and I recommend anyone who’s at the Fringe try to catch her show (note: not for kids).

From that I rushed straight over to Pleasance Dome for more musical comedy in Yve Blake’s “Lie Collector”. Blake collects true stories of lies people have told and turns them into songs. It’s kind of a delightfully weird show, with a sometimes over-the-top and shouty performance from Blake, lots of ridiculous costumes and plenty of mugging. The show gets into some fairly serious material toward the end, and there was at least one of the true confessions used in the show that I’m not entirely sure how to feel about it being used in this way. Still, I overall enjoyed the show, it was an interesting mix of silly and serious.

Another quick rush down to the next venue followed. The next show up was Sarah Kendall’s “A Day in October”. This was a really strong show – funny and touching, and just a really excellent work of storytelling. I think this was probably the most well-crafted standup performance I saw on the fringe this year.

I had yet another free show in mind to follow, and bearing in mind that I’d missed three shows in two days so far because I didn’t get there early enough, I was making extra sure now. After a quick burger for dinner, I arrived very early at the venue for Sarah Bennetto’s free show… which wasn’t happening. If I’d looked into things further when I was planning I might have known this in advance: Sarah Bennetto wasn’t available this weekend, and instead her show was being covered by Amy Howerska, who was doing extra free performances of her usually-paid show, “Sasspot”. I didn’t find this out until the performance was starting, so that was a surprise. It turned out to be a pretty fun show, about growing up in a family of professional skydivers, and how funerals are much better than weddings. Funny thing: Howerska’s show was one of the ones I’d considered when working out what to see this weekend, and I’d come close to buying a ticket to her show instead of one of the others.

Finally, I walked a mile in 15 minutes to get to my final show of the day, Daniel Sloss’ “Dark”. This was yet another great show, and it got the biggest laughs out of anything I saw all weekend. It’s also the first time I’ve seen someone perform a Fringe show with live signing on stage for deaf audience members, which is a great idea. (It was also nice to be in a comfortable, air-conditioned theatre after a day of tiny boiling hot rooms.)

All in all, despite missing a couple of planned shows I had a really great day yesterday. My feet are killing me from all the walking (huge blisters), but I had a good time and that’s what matters.

Wish I’d not been so dumb as to go “well, I’ll maybe just do two nights this year” when I finally decided to book my trip. A weekend at the Fringe is definitely an annual thing for me now, and I’ll probably stick to three nights like last year. It’s impossible to fit everything in, and two days (one of which starts after 3pm because of travel) is hardly anything. Looking forward to next time.

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