X-Men Apocalypse would be a good film, if they hadn’t decided to skimp on character development in favour of filling the middle with pointless fanservice and padding.
I just got back from seeing the film, and I already tweeted a bunch of thoughts on it, but here I’ll go over them in a little more detail.
So you’re making a movie, and you have a group of teenage characters who are just getting to know each other. The foreign exchange student wants to see a bit of US culture, so what else is there to do but have them take a trip to the mall? (This is set in the 80s, after all.) They get to hang out together on their own terms for the first time; you can show how they interact as a group, start them bonding. Maybe the new kid gets into some trouble because he looks different, and his new friends stick up for him. When they come back to school and find out that plot has happened, they’ve already become a team to the audience’s eyes.
Or you can have all that happen off screen and show another Quicksilver slow-mo sequence instead. The fans liked that last time, right? They won’t want to get to know these new characters, what they want is the same thing as last time, but twice as long and with way more forced humour.
And that there is where X-Men Apocalypse falls down. While we do get to know Scott Summers, Jean Grey, and Kurt Wagner somewhat, their initial bonding as a group happens off screen. This is perhaps because the following segment of the film has the three of them working together to help rescue several other X-Men (and Moira McTaggart) from Colonel Stryker, but the problem with that is the entire sequence is irrelevant to the plot of the film.
At best, the section in Col. Stryker’s secret base exists only to have a fanservice scene of a newly-created Weapon X Wolverine slaughtering his way through a small army. It’s padding, pure and simple, and adds nothing to the Apocalypse story.
(Can I just jump in here to say how bullshit it is that it’s the three characters who get to work together here? There are four friends who go to the mall together, and thus avoid getting caught by Stryker. Jubilee, another fan favourite character, is one of their group. And yet I’m pretty sure the film never even named her, and she disappeared entirely after the destruction of the school.)
Speaking of the Apocalypse story, this too suffers from the unnecessary padding of the film. When he first ventures into the modern world and encounters Ororo (also never named, iirc) it seems like we’ll get to see how he brings her onto his side – but instead, he gives her power and that’s it, she’s on side with no explaining or convincing. Each of the first three of his Four Horsemen – Storm, Psylocke, and Angel – is turned completely at the first demonstration of his power. There’s no sense of why these characters would go along with his plan to destroy the world. Their recruitment scenes wind up perfunctory, and kind of repetitive. Only the fourth Horseman, Magneto, gets an extended scene convincing him to join – because of course he does, this latest trilogy of X-Men films always likes to make everything about Magneto when it can.
Considering the amount of padding in the film, they had so much room to develop all these characters. Show us how Apocalypse convinces Ororo, what it is about his message that gets to her, and it would become much more meaningful when she turns against him. If they’d spent less time shoehorning in Wolverine cameos and Quicksilver music videos, maybe we could’ve got to know why Angel is the way he is, and maybe we’d know a single damn thing about Psylocke.
This film had a villain whose entire plot was “recruit followers, then use their power to destroy the world”. When there’s little in the way of event in your plot, you make it up with character. Make us empathise, make us understand. Don’t just throw in additional empty action to keep us occupied until you reach the page on your screenplay marked “start climactic battle here”.
(The rest of the film was alright. Not amazing, but certainly not bad.)