Nine Worlds 2017

I got back from Nine Worlds Geekfest yesterday, and before I get working on my packing for Worldcon – it’s tomorrow! Aah! – I thought I’d get down some brief thoughts about it, particularly given my last post.

This year went better than last year, I’d say. The content was mostly great again, but the main thing is that I managed to not fall down an anxiety rabbit hole again, managing it by just giving myself permission to go off to my room and do something on my own a couple of times. Though I still spent far too much time standing around awkwardly on my own, the folks at Nine Worlds are pretty friendly and welcoming. I got onto quiz teams at the beginning and end of the con, and spent a little more time gaming than I did last year.

I’m still terrible at eating properly and looking after myself while on holiday. I survived on the included breakfast in the morning and a Tesco meal deal in the afternoon, which isn’t exactly a balanced diet. I’m not sure what I’ll do in Helsinki – in Norway last year I managed, but would spend far too much time trying to convince myself to go inside restaurants for each meal. I’ll survive, I guess.

But overall it was pretty good this year. I think if I keep going I’m likely to get gradually more comfortable there – at least in part because I might start to feel like I know people. I’m not quite there yet, since I still managed to feel like an outsider whenever I was around other people. Whether I go again next year might depend a little on my employment situation, though. We’ll see.

Anyway, Worldcon 75 awaits! I’m curious how the culture of the two cons will contrast.

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Anticipation

(This is a personal post.)

In little over a week, I’ll be setting out for a long month of events, starting with Nine Worlds Geekfest, followed immediately by Worldcon in Helsinki, and then a week later my annual trip to the Edinburgh Fringe Festival. I’m excited and eager, but there’s one little bit of me wondering if it’s a bit too much.

The first convention I attended was Loncon3, the 2014 Worldcon in London. Overall it was pretty great, I enjoyed the panels and readings, but the whole thing was undercut with frustration at myself for not being able to socialise. I’m far too self conscious and uncomfortable to approach people I don’t already know, and I tend to end up staying isolated even among these big groups of people with presumably shared interests. I’m very grateful to Meg Frank, who generously showed me around and introduced me to a bunch of people at Worldcon, but even then I wasn’t really able to engage with people and didn’t feel comfortable approaching them again afterward.

The anxiety and frustration culminated in a bit of a breakdown in my hotel room on the last night, where I’d retreated after leaving the Hugo ceremony and finding I didn’t really know what to do with myself while everyone else was heading off to the various parties. I found myself venting on Twitter, which helped me calm down but wasn’t exactly a good idea.

The second convention I attended was Nine Worlds 2016. I loved Nine Worlds – it covers a very broad range of geeky interests, but comes at every part of it with a focus on inclusion, and the understanding you can love things and still be critical of them. It just ticked all my boxes as far as the programme content went, which is why I immediately bought a ticket to go again this year. But in between panels, I spent most of my time hanging around the edges, sitting alone watching everyone else. I managed to have some fun in the games room, but half my visits there still involved me standing around awkwardly for a few minutes then leaving. This disconnection from the other attendees wasn’t helped by having a hotel room ten minutes walk away. Once again, the con ended with me falling apart back in my room and venting on Twitter.

(I should probably be embarrassed at myself for those tweet threads, but somehow I’m not? I still don’t know if I was attention-seeking or just thinking out loud.)

Which brings me to next month. My third and fourth conventions, back to back. I’m really looking forward to it, and I expect to enjoy it a lot – I’m not really anxious, at the moment. But I think back on those two nights, the hour or so I let myself fall apart each time, and I wonder. What is it going to be like for me, going through that not for 3 or 4 nights but for two long weekends in a row? I don’t see any reason why I should struggle with it now, but I was hardly having a rational reaction the other times it happened. I honestly don’t know if this will get to me again on the same level, or possibly worse.

Overall I expect to enjoy the experience, I just feel like I’ll be going into it constantly anticipating those anxiety-induced tears.

(I guess I’m lucky I only get anxiety, and not depression.)

You Should Be Watching: Movies with Mikey

Movies with Mikey is a video series by Mikey Neumann on youtube channel Chainsawsuit Original (which he shares with Kris Straub), and it is just awesome. Mikey’s distinctive style and humour in his videos manage to bring across a real love for the films he’s discussing, and he has a real knack for finding the heart in those films (yes, some of his videos will make you cry). And pretty often he manages to come at films from a different direction than I might have expected.

This really is an excellent series and I highly recommend watching and subscribing to the channel. Here are a few of my favourite Movies with Mikey videos to get you started:

Hello World, Once Again

This is an introduction post. It might seem strange for a blog that’s somewhere around a decade old to post an introduction, but in that decade I don’t really think I’ve made much of an impression on anyone, so it seems like a fresh start might be in order. (Plus my About page probably needs an update.)

My name is Alan, I’m a 30-something guy from the UK, and I’ve been reading fantasy novels for pretty much my whole life, and regularly reading comics for around a decade. This blog is a place for me to talk about those things, along with my other interests, and hopefully share some of my enthusiasm for that stuff with like-minded readers.

Because I think it’s worth stating, I’m a liberal; I support intersectional feminism and reject discrimination of all kinds, be it about appearance, ethnicity, disability, sexuality or gender expression, and I believe in promoting representation and diverse voices in our media. I hope I can live up to those beliefs in writing about that media here.

I’ve been very quiet at times over the years – which I’ve blamed on things like World of Warcraft addiction (not true for some time now) – and despite all the times I’ve come back and said I’d write here more frequently, it’s never stuck, and I never allowed myself to develop the habit of regular updates. I’m hoping to finally fix that. Obviously my past performance isn’t very promising, but I want to do more with this space than I have, and I want to finally put in the effort that requires. This might mean more personal posts, and it’ll definitely mean posts about more than just books. I’ll see what I can come up with.

I’ll end with this: Hello, and thanks for visiting my site. Hopefully you’ll find something interesting here.

(Also, you can follow me on Twitter @sometimesKysen.)

2017 – Looking Forward

As Hugo Award season begins with the opening of nominations, I’m thinking about my plans for the year ahead – which include attending Worldcon for the second time (after Loncon3 in 2014), where I’ll get to see the Hugos given out first-hand.

I don’t travel much, but 2016 was a bigger year for me than usual – I spent a week in Norway, I attended Nine Worlds Geekfest in London (which was a really good con, that I wish I’d managed to write something about here), and I took my usual trip to Edinburgh for the Fringe Festival. In 2017 things are looking similar – I’ll be heading to Scandinavia again, this time to attend Worldcon 75 in Helsinki – unfortunately that doesn’t leave me much time for sightseeing, but I’m going to hang around an extra couple of nights to see the city. I’ll be going back to Nine Worlds, because it really was that good last year. And I’ll probably be going to Edinburgh yet again.

Of course, there’s one issue with these plans: They’re all in August. That is going to be one long and expensive month, which is why I’m not 100% certain about the Edinburgh Fringe this year. The rest of my year will be uneventful, I expect. The first few months of 2017 I’ll be trying, as usual, to get as much Hugo-eligible novel reading done as I can in time for nominations (nominating for the Hugos is a big deal if you care about the results, by the way – in the past categories have been swept by a small handful of voters, though this year there are new rules in place to help with that), which I’m further behind after my shorter-than-usual 2016 reading list.

As for the rest of the year, well. I’ll keep reading, keep gaming, keep watching great films and TV, and maybe even get around to writing about some of it here. More often than last year, at least.

Edinburgh Fringe Festival 2016

I’ve been in Edinburgh since Monday, on my annual visit to the Edinburgh Fringe. Usually I’d make a summary post each day, but this time I thought I’d just write it up in one post.

TL;DR my favourite shows this year:

  • Daniel Sloss, So
  • Chris Coltrane, Socialist Fun Times
  • Nicole Henriksen, Makin It Rain

But I didn’t see anything I’d say was bad.

Monday

My first day at the Fringe was a little shorter, and I mostly saw acts I’d seen before in previous years. The first show I saw this year was Tamar Broadbent’s Get Ugly; this is the third year in a row I’ve been to Tamar’s free show, and she was as good as ever, very funny with good songs.

Next was Rachel Parris, another musical comedy act. I first saw her in a free show a few years back which I enjoyed a lot, but her paid show the next year – which used character comedy – was a little disappointing in comparison. Best Laid Plans, her show this year, was back to something more like that first year, and I enjoyed it.

After that was the last repeat on previous years, Daniel Sloss’s So. Sloss is one of the best stand up acts I’ve seen, and this year was just as good as last year, highly recommended.

My final show on Monday was Russ Peers’ Bad Gay, which started off awkwardly when I was the only person who stepped forward when they called for people with tickets to go in. It was one of the shows that are free to get in but give the option of buying a ticket, which is not clear on the Fringe ticket website; it turned out I had a few tickets like this. As it was 10:30pm on a Monday, it was a pretty small crowd. Peers’ show was a little rough around the edges, but amusing enough.

Tuesday

I fell afoul of my indecision on Tuesday, and didn’t go to either of the first two free shows I’d been considering to start my day. In the end I started with The Punel Show, which is exactly what it sounds like. The show was a bit of a disaster, as one of the two hosts was absent due to an injury and the remaining host was a little lost, but it still managed to be a lot of fun (so long as you like a lot of bad puns).

After that was Laura Lexx, Tyrannosaurus Lexx, which wasn’t the greatest standup show, but was still worth the price (this was another of the”£5 or pay what you want” tickets).

My next show was James Wilson-Taylor’s Ginger is the New Black. Another musical comedian, this show was a bit shoutier and more absurd than most I saw, and got a lot of laughs out of me.

After I grabbed some food (I barely ate on Monday and was trying to do better), I moved on to American standup Ari Shaffir’s Ari-S-P-E-C-T, which I think was my favourite show off the day.

Finally, there was Gillian Cosgriff’s This is Why We Can’t Have Nice Things, which had my favourite songs out of all the musical comedy acts I saw this year.

I’d planned to see another after that, but it was late, wet, and I had a 25 minute walk to get to my hotel, and I really wasn’t feeling up to more.

Wednesday

Wednesday was my best day of the Fringe. Some of the crowds were small, I got soaking wet, but I had some of my best times at the shows I saw that day.

The day started a little weak with Sooz Kempner’s Queen; the show had strong storytelling elements and Kempner’s cover songs were strong (she has a good voice), but the original songs weren’t great and the humour wasn’t quite there. (I honestly think the show could be fine without being funnier because of that storytelling side, but Kempner kept calling attention to the weak laughs.)

I followed that up with Laurence Owen’s Cinemusical High, a one man high school musical, which was a lot of fun.

The next show was Chris Coltrane’s Socialist Fun Times. I’d tried to see Coltrane before a couple of years ago, but the venue had been packed full; this time was also packed, so much so that people were sitting on the floor. It’s political comedy, very left wing as the title implies, and very very funny. Really glad I caught this one, will probably try to see him again on future trips.

As good as that was, the next show I saw is possibly my favourite out of all five years I’ve been to the Fringe. Nicole Henriksen’s Makin It Rain is a one-woman theatre piece about her work as a stripper to support her comedy career. Henriksen gives a strong performance which is at turns funny, sexy, serious and poignant. As well as an autobiographical piece, it’s also a feminist discussion of the stripping profession, the impact it has on performers, and its position and perception in our sexist society. Strongly recommend seeing this one. (Note: includes nudity.)

After that, I went to a standup show by Danny Deegan, which had the smallest crowd out of all my Fringe shows with only 5 people present. Deegan handled it well, though, and delivered a solid set largely about his relationship with his father. I think we all had a good time despite the turnout.

After killing some time watching a street musician (or more honestly, taking shelter under a tree from the rain, which happened to be next to a performer), and getting well and truly soaked walking across town to the venue, my final show of the Fringe was Rahul Kohli’s Newcastle Brown Male. Kohli’s set about racism was a decent end to a very good day, I enjoyed it a lot.

That’s it for my 2016 trip to Edinburgh. Right now I’m on a train from Edinburgh to London, where I’ll be attending Nine Worlds Geekfest; more on that later this weekend. It’s been a good trip this year; here’s looking forward to next year.

What I’ve Been Reading Lately: Short Fiction Edition

I don’t read a huge amount of short fiction, but I read a lot more than I used to, usually stories I see linked on Twitter and save to the Pocket app. For the last couple of years I’ve taken to sharing each story I read on Twitter myself, but today I felt like collecting some of my recent favourites into a post.

Before I get to the links, though, I had a thought to share. I found myself thinking this morning that most of the really great short fiction I read, while it’s SFF genre, centres not the genre concepts or the plot, but the relationships between characters, romantic and otherwise. And it occurred to me that this is, in part, what the Sad Puppies were reacting against, way back in the early years of that kerfuffle.

Larry Correia’s stated purpose in starting Sad Puppies was to get award nominations for “unabashed pulp action that isn’t heavy handed message fic[tion]”. The second half of that has gotten plenty of attention (there is indeed a large part of this which is a reactionary response to the increase in inclusive and diverse works being recognised for awards, for which see Foz Meadows’ excellent breakdown of where they’re getting it wrong), but it’s more to the first part my thoughts went today. In addition to the diversity backlash, the Puppies often set up a conflict between this “unabashed pulp action” and the supposedly more ‘literary’ work which was appearing on award ballots. And it seems to me that this part of it was about exactly what I observed above: the stories they object to are the ones that do not place action or cool SFnal ideas at their centre, but the interpersonal relationships of characters; where character and relationships are the main throughline and focus.

It does feel like there has been a popular shift toward that kind of fiction in recent years (in novels also – look for example at the popularity of The Goblin Emperor and Ancillary Justice), but it’s hard for me to make a solid claim on that. The short fiction market has changed dramatically with the growth of online publishers, and many people – myself included – just did not read much short fiction before that change. I also can’t say what short fiction the Sad Puppy supporters have been reading now or in the past, but having been exposed to their complaints on and off for the last few years, it certainly seems like part of the trigger for their lashing out was seeing award-nominated stories which had their focus in a different place from what they were used to.

Personally, I’m one of the apparent majority who is very much enjoying these stories. Even the weirdest of weird SF is about people in some sense, and human relationships and emotions are a familiar point for readers to hold on to while experiencing the utterly unfamiliar. In addition, SFF concepts are and always have been a great tool for exploring ordinary human issues, whether large-scale social concepts, or just the way two people relate to one another. The small stuff is just as important as the large, and (IMO) can be a vehicle for more emotionally poignant stories.

I guess I’m just not in it for the action.

Anyway, that (long) tangent aside, let’s get to the story recommendations. I can’t say all of these will fit the type I’ve referred to above, but I can say that I greatly enjoyed every one. These have all been read in the last month or so, mostly while I was on holiday (when I did a lot of reading in airports and on planes). Listed in alphabetical order.

Android Whores Can’t Cry, by Natalia Theodoridou, in which a reporter visits the Massacre Market, where people engage in illicit trading of evidence of the government’s atrocities (and then things get much weirder).
Candidate 45, Pensri Suesat, by Pear Nuallak, in which an agender art student struggles with their place at a demanding school.
Infinite Skeins, by Naru Dames Sundar, in which a parent searches through infinite alternate worlds for their missing child.
Meshed, by Rich Larson, in which a talent scout has to convince a young athlete to have a “nerve mesh” installed, but his father objects.
Morrigan in Shadow, by Seth Dickinson, in which the question is posed of whether achieving victory is worth making monsters of ourselves.
The Light Brigade, by Kameron Hurley, in which a darker and weirder take on Star Trek transporter tech is used for war.
When Your Child Strays From God, by Sam J Miller, in which a mother sets out to find her son, who has taken a strange new drug.
Without Faith, Without Law, Without Joy, by Saladin Ahmed, in which three brothers are trapped in another man’s story, robbed of their own name and nature.